For the underground comics I read Greaser. It’s really strange comic
written in the 70’s set in the 50’s. The comic starts with the main character
doing the old hole in the bottom of the popcorn box gag on a movie date with
his girlfriend. Through out the entire comic I have trouble finding the
protagonist; I don’t think there is one. For a while it seemed as if the comic
was applauding the greaser lifestyle since it was centered around it. We see
the greasers terrorize people. In the end the greaser push some one too far.
They both get their brains blown by a shot gun only to have their killer commit
suicide. Who’s the protagonist? All the characters with a significant amount of
lines are dead. What’s the point? Without a real story this comic seemed more
like a freakshow. The comic would only be read just so people could obtain an
offensive view of gender and Italians. The paneling was awful and art. It was
clearly handled amateurs, but I guess most underground comics were. One strange
thing that stuck out for me was on the back there and illustration of a greater
harassing a woman, on the bottom it said sexism was out. I didn’t understand it
all. Was the comic sexist and hated feminism? Did the comic not believe in
sexism? Maybe the comic was actually against sexism and using the disgusting
characters as an example of what not to be? I don’t know but I also don’t want
to read Greaser to find out.
Sally Cruikshank’s work actually
made me laugh. It was a little hard at first because the animation is low
quality but it was entertain. Seeing Sally’s work I now know that the show
Rocko’s Modern Life is must be based off of it. In fact most of Joe Murray’s
work must be inspirted by Sally Cruikshank. It was very interesting to see the
work of a significant figure of animated programming.
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